‘Government support is necessary, otherwise artisans may lose interest’
MASROOR AHMAD
SRINAGAR: In the heart of downtown Srinagar, Ghulam Nabi Dar, a seasoned artisan, expressed profound joy and fulfilment as he reflects on being conferred with the prestigious Padma Shri award.
Hailing from Dana Mazar Safa Kadal Srinagar, master woodcarver shared sentiments of achievement and gratitude, revealing that the honour feels like the culmination of decades of unwavering dedication and labour.
Ghulam Nabi Dar expressed his gratitude for the Padma Shri award, and said that it is a great honour. I have received national awards before, but this is something extraordinary.
He said, “My focus now is on imparting this intricate art to the younger generation so that it remains alive and vibrant even after I am no more.”
Dar’s dedication extends beyond personal achievement, reflecting a deep-seated passion for ensuring the continuity and legacy of his craft for generations to come.
Many believe that this honour bestowed upon Dar will act as a catalyst for the resurgence of the ancient craft deeply rooted in Kashmir’s history, underscoring the resilience of traditions that have endured over time.
Dar shared insights into his journey. After being in trouble, he introduced himself to a wood carving unit at a young age. Despite facing initial rejections from craftsmen unwilling to impart their knowledge, Dar’s perseverance eventually led him to a mentor, Nooruddin Tikoo, who shared his expertise through intricate designs on paper.
Dar said, “I was 10 years old when my father faced financial difficulties due to which we were unable to pay school fees. As a result, I was expelled from school. This reason leads me and my younger brother to learn the craft of wood carving at Sarai Safakadal Srinagar.”
Although Dar admitted that he didn’t gain much knowledge during his initial five years at the wood carving unit, the experience sparked his interest in the art, motivating him to pursue it as a means of livelihood.
Recognition came his way with a state award in 1984, followed by an opportunity to work in Baghdad in the early 1990s. The pinnacle of his craftsmanship was reached when he received the National Award in 1995-96.
The joy and satisfaction of recognition extend beyond Dar to his family, who share in his happiness. “I am very happy, and my family is also very happy. When a craftsman receives any award, it encourages, motivating further progress in the field. Without government support, artisans may lose interest,” he asserted.
Expressing gratitude for the recognition, Dar underscored the significance of government backing in preserving traditional arts. He urged the establishment of a comprehensive institution or workshop to train and incentivize young artisans, ensuring the enduring legacy of wood carving.
